In 1977, when
George Lucas was told that Star Wars did great in its first week, he replied “Science
fiction moves always do well in their first week. Let’s talk again next week.”
While breakout successes still happens from time to time, this is not how the
entertainment industry is working anymore. The probability of a new franchise
being a success can, and will be, calculated well in advance, often with
surprising accuracy.
Star vs. the Forces of Evil was deemed a success more than six months prior to the debut of
its first episode.
Based on almost
no official information, and a small handful of unofficial information (a cam
copy of the title sequence, filmed at San Diego Comic Con and a few leaked
storyboards), it rapidly gained a fandom.
A very enthusiastic and devoted fandom even, despite not having as much
as a single episode to back up their devotion yet.
What it did have
pretty early on, was a high concept:
Star Butterfly, the crown princess of an extradimensional kingdom,
receives a powerful, magic wand on her 14th birthday. After failing
to use it responsibly, she is shipped off to Earth to live with a suburban
family in California. However, rather than living a normal life, Star continues
to battle villains throughout the universe and in her high school, with the
family’s teenage son Marco Diaz as her sidekick.
Comparisons have
already been done left and right. Comparing
it to Sailor Moon seemed inevitable, but so far Cartoon Network’s StevenUniverse is mentioned the most. Both shows deals with a kid superhero of alien
origin living in our world, and both shows are also created by women. Many
animation fans think it was greenlighted because Disney wanted a rival to the
popularity of Steven Universe (though creator Daron Nefcy had had the concept
in her head since elementary school). Marvel’s Thor has also been brought up:
Both Star and Thor are heirs to the throne of a magical, otherworldly kingdom,
both possess a very powerful, magical handweapon, and both end up on Earth with
a human sidekick. It’s even been accused of ripping off Fresh Prince of Bel Air
because both shows are about a teen who gets shipped off to California after
getting into a fight at home. If you ask me, the similarities to Thor are a
little more obvious.
SVTFOE fans have
already had their share of disappointments; the premiere was postponed from
September 2014 to 2015. The pilot preview was then postponed from December 2014
to January 2015. Now everyone are so psyched for the pilot that for the moment
they chose not to be disappointed by the possibility that the show will not be
up and running for real for a couple of months yet. What’s a few months more
between friends? It feels like we know
Star already.
But do we,
really?
Yes, I think we
do. There’s been some complaints that the show, and Star in particular, is too
loud, too in your face. But that was exactly the personality she displayed in
all of the preview material, so it shouldn’t really have come as a surprise.
Star is bubbly, enthusiastic and hammy. It’s a personality we know very well
from dozens of cartoons, one that works very well in the media, and one that I myself
am weak for. Not surprisingly, her attitude rubs off on the show as a whole. It’s
colorful, fast-paced and joke-heavy. The humor balances nicely between wild
slapstick and the more clever moments. “Fish out of water” jokes, which is
inevitable in any setting featuring an alien of sorts coming to earth, can be
tricky, but this show handles them successfully. I was particularly pleased
with Star commenting that she would never have guessed that Marco is related to
her host family Mr. and Mrs. Diaz – She just figured that all earthlings were
named “Diaz”.
So yes, I did
enjoy it, and I did laugh several times. But to be honest, it’s still easy to
see a few faults, most importantly the pacing. It uses the 2x11 minutes format,
which in itself doesn’t have to be an obstacle for smart writing and epic
storytelling. Adventure Time and the aforementioned Steven Universe mostly use
the 2x11 minutes format, and those shows can be both smart and epic. But Star
vs. the Forces of Evil could use a little more time.
To be fair, this
is mostly a problem in the first of the two 11 minute episodes, “Star comes to
Earth”. As you can probably guess from the title, this is the episode that sets
up the premise, but it feels like it’s cutting way too many corners to do so.
We hardly get time to learn anything about Star’s native kingdom. We don’t get
to see how she ended up living with the Diazes. We get to know very little
about neither Marco nor Star’s social life before they me each other, or about
Marco’s relationship with his parents. We don’t get to see him having any conflict
with his parents about Star staying with them, and the conflict between Marco
and Star feels forced and hurried. There’s
potential for a good story here, but it would’ve needed twice the running time.
That said, the
second episode “Party with a pony” is much better paced. It’s pretty random,
and just like the first episode it’s based on a sitcom cliché (in this case the
”jealous best friend” motive) but it works better because it’s not getting too
ambitious, and still has a sense of continuity. So it would appear that
already now, the writers are learning how to structure and pace the episodes
better. I don’t see how “Star vs. the Forces of Evil” could ever become an epic
on the level of Gravity Falls based on a starting point like this. Even
comparing it to Gravity Falls (which a lot of people has already done) doesn’t
make much sense to me. Both in comedy and pacing, it has much more in common with,
say, Wander Over Yonder. It has potential to become its own thing, but it only
remains to see if it will be used. We’ll see in the spring, when the Star saga
starts for real, if it can turn into a real saga.
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